Brooch in the form of a dove on an olive branch by Edward Burne-Jones

1890 - 1900

Brooch in the form of a dove on an olive branch

Listen to curator's interpretation

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Curatorial notes

Curator: What an absolutely charming piece. This brooch, dating from 1890 to 1900, is crafted in the form of a dove perched upon an olive branch. Editor: My initial impression is of pure delight. The vibrant turquoise and coral, so meticulously arranged, evoke a sense of natural harmony. It feels exquisitely crafted. Curator: Indeed, it's a wonderful example of the Arts and Crafts movement, where craftsmanship and material honesty were highly valued. Brooches such as this speak to a deliberate turn away from mass production and embrace for the handmade object. Its location today is at the Metropolitan Museum of Art in New York, a significant testament to the endurance of those values. Editor: The choice of materials is striking. Notice the dove's feathers rendered in vibrant turquoise cabochons and contrasted by the peach colored branch. How effectively the varied color is used to highlight line and form and render depth to such a miniature thing. It truly is art in miniature. The eye is caught by the materials' surfaces. Curator: Yes, this aesthetic sensibility emerged partly as a critique of industrial society, aiming to reintegrate art into everyday life. The dove itself is a very potent symbol in art history, isn't it? Editor: Absolutely. It evokes a range of associations - peace, the Holy Spirit, purity...its context will shape meaning. Is this dove representing hope in a rapidly changing time period? Curator: Precisely, and it reflects how jewelry served both personal adornment and a form of social expression, communicating values and affiliations to a discerning audience. One could well have chosen it to display some private values in this period of tumultuous political history, as the old orders continued their transformations. Editor: The composition strikes me as subtly asymmetrical, yet balanced. This allows the design to appear less rigid, echoing natural forms as an art movement philosophy of that time. And the details such as tiny gold branches further enhance its appeal. I feel that my senses are engaged directly as I view its formal choices. Curator: Ultimately, it embodies the ethos of an era – one where aesthetics, ethics, and craftsmanship intertwined. Viewing this piece enriches our comprehension of societal aspirations present and past. Editor: And considering it has highlighted, for me, how close attention to form and material enlivens a potent dialogue within, where both the tangible and the intangible converge into a single remarkable thing.