Yerevan Metro Construction 1985

Editor: This is Petros Malayan's "Yerevan Metro Construction," painted in 1985 using watercolor. The subdued colors give it a solemn, almost contemplative mood despite depicting a construction scene. What formal elements stand out to you in this composition? Curator: Notice how Malayan orchestrates our gaze through the interplay of light and shadow. The faces of the workers, the focal points, are illuminated, drawing us in. But observe how the washes of color create a textured surface. The subtle gradations and variations in tone prevent the image from becoming flat, introducing depth and volume, reinforcing the corporeality of labor. Editor: That's interesting. The textured surfaces are what made it read as an oil painting at first glance. Can you elaborate on that interplay of light you mentioned? Curator: Consider the distribution of light across the composition. Light isn't used naturalistically. Rather, it's deployed strategically to sculpt the figures, highlight their features, and convey a sense of shared purpose. There is almost an internal light source radiating from each figure, achieved by layers of contrasting light and dark values on each element. The color palette supports this construction, using somber hues contrasted with occasional red tones for added vibrancy. Editor: So, by carefully structuring color and illumination, the painting achieves balance and depth? Curator: Precisely. Through manipulating the intrinsic elements, Malayan has managed to transcend simple representation, offering an investigation of human resolve through the lens of form. The materiality, tone, and structure are all working to that end. Editor: This perspective highlights nuances I wouldn't have otherwise noticed. Now the colors feel intentionally muted to reflect the tough physical labor being represented. Thanks for the deep dive into this artwork!