Apostel Petrus met sleutels en boek by Pieter de Bailliu

Apostel Petrus met sleutels en boek 1623 - 1660

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drawing, ink, pen

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portrait

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pencil drawn

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drawing

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baroque

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pencil sketch

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charcoal drawing

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ink

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pencil drawing

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pen

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portrait drawing

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history-painting

Dimensions: height 242 mm, width 130 mm

Copyright: Rijks Museum: Open Domain

Editor: This ink drawing, titled "Apostel Petrus met sleutels en boek" or "Apostle Peter with Keys and Book" is attributed to Pieter de Bailliu, and estimated to have been made between 1623 and 1660. The keys are so prominent, but his face looks concerned. What do you see in this piece? Curator: The keys, of course, are central. They immediately identify Peter, evoking the biblical passage where Christ grants him the "keys to the kingdom of heaven." They aren't just implements; they are potent symbols of authority, spiritual power, and access to salvation. Editor: That makes sense! What about the book he's holding? Is that symbolic as well? Curator: Absolutely! The book represents knowledge, wisdom, and the Gospels themselves. Peter, as one of the foundational figures of the Church, is often depicted as a guardian of these sacred texts. Look at how he holds them both, closely. Editor: He's cradling the book, almost protectively. And the keys seem…heavy. He's burdened by them, maybe? Curator: Consider the era – the 17th century – rife with religious and political upheaval. The image speaks to Peter’s crucial role during the Reformation, when the Catholic Church's authority was heavily contested. He is depicted as the steadfast gatekeeper. The image taps into a deep cultural memory. Do you see a connection between the keys and what they might open to someone from the period of history? Editor: Hmmm... I guess the keys could symbolize the opening to faith itself, which was up for debate during that time. So much of our visual culture carries memory itself. Curator: Exactly! Visual culture creates a cultural continuity across generations and this drawing is another piece that connects to our current time. Editor: I hadn’t thought of it that way before! I'm starting to appreciate how many layers these older pieces possess. Thanks for sharing these ideas. Curator: My pleasure.

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