Poliphilus before the great goddess of love. (Fol. E vi verso) 1499

Editor: Here we have Poliphilus before the great goddess of love, an anonymous work, at the Harvard Art Museums. It has a dreamlike quality. How might one interpret the composition of this piece? Curator: Notice how the artist employs line to delineate form and space. The stark contrast between the figures and the background creates a visual hierarchy, emphasizing the goddess's dominance. Editor: So, it's the lines and contrast that tell the story here? Curator: Precisely. The composition is not merely representational, but also a formal exercise in balance and visual weight. Consider the relationship between the figures and the surrounding space. What does that imply? Editor: I see... It's all about the interplay of these visual elements. Thanks! Curator: Indeed. A deeper understanding of form enhances our appreciation.