Drager met een stoel op zijn hoofd by Anonymous

Drager met een stoel op zijn hoofd Possibly 1905

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drawing, pen

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portrait

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drawing

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comic strip sketch

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imaginative character sketch

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caricature

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sketch book

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cartoon sketch

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personal sketchbook

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ink drawing experimentation

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sketchbook drawing

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pen

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watercolour illustration

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genre-painting

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storyboard and sketchbook work

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sketchbook art

Dimensions: height 317 mm, width 244 mm

Copyright: Rijks Museum: Open Domain

Curator: What strikes me first is the sheer absurdity of the scene. A man burdened, quite literally, by a chair upon his head! It evokes a sense of discomfort mixed with dark humor. Editor: We are looking at “Drager met een stoel op zijn hoofd,” which loosely translates to “Carrier with a chair on his head.” It's thought to be made around 1905 by an anonymous artist using pen and possibly some watercolour for the color washes. Curator: Anonymous! Intriguing. There’s something about the posture – head bowed, eyes downcast, a certain hunched quality. It’s not just a physical burden. Does the chair symbolize the weight of societal expectations? Editor: Perhaps, but there's more to unpack in terms of symbolism. Consider the chair itself, an object associated with rest, comfort, maybe even status. Placing it on his head subverts that; turning it into a symbol of oppressive labor and a displacement of dignity. What do you see in relation to the two figures looming behind him? Curator: Good question! Those men project ease and privilege, almost mocking in their composure. There is a critique here—an artistic commentary that depicts class divisions. Is he forced into this role? Or perhaps has this action turned into something commonplace? It gives a biting social commentary to classism that rings very familiar. Editor: I noticed how they appear cleaner. A chair over the head, also makes me recall saint imagery where burden and halo overlap symbolically. The difference being one offers heavenly rewards while the other an unending loop of hardship and work, not very subtle when reading the social commentary within this drawing. What I found interesting when reading some text included in the work "it’s just as unpleasant to see the head of this guy as it would be the ass of Marie Antoinette” implies it is commentary on leaders versus those they lead or oppress with their position of privilege. Curator: Yes, this poses an incisive observation. What a remarkable way to convey such layered meanings with just a simple drawing! Editor: A very clear example of the power behind symbols and context intertwining.

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