print, engraving
comic strip sketch
narrative-art
comic strip
traditional media
figuration
personal sketchbook
idea generation sketch
sketchwork
thumbnail sketching
comic
line
sketchbook drawing
genre-painting
storyboard and sketchbook work
sketchbook art
engraving
Dimensions: height 340 mm, width 420 mm
Copyright: Rijks Museum: Open Domain
Editor: This is “Uit het leven van Arlequin” - “From the Life of Harlequin” - number 59, made sometime between 1865 and 1875 by George Lodewijk Funke. It’s an engraving, and the images feel very theatrical. It seems to tell a story through sequential panels. What can you tell me about what's going on here? Curator: Look at the figure of Harlequin, the trickster, ever-present! Notice how his diamond-patterned costume marks him – it’s a powerful visual signifier of his role, instantly recognizable within the cultural memory of commedia dell'arte. He’s always an outsider, playing the fool, often subverting authority, but the scenes here give me a darker impression, can you feel the subtle violence? Editor: Yes, I see what you mean. There's a sense of mockery and conflict, even in what seem like playful interactions. Like, is that violence a core theme, perhaps pointing to deeper social commentaries? Curator: Absolutely. Think about the historical context – these figures come from a tradition rooted in satire. The engraving likely offered children both entertainment and a glimpse into social hierarchies and critiques, even as a form of safe rebellion, hidden behind colorful masks. What feelings emerge from the images when considering this lens? Editor: A bittersweet feeling. It's playful but sharp, innocent and cynical. Almost as though the images teach life lessons that may come from harsh experiences and the necessity to endure injustice. Curator: Exactly! You can also see a world turned upside down, mirroring social hierarchies but from the underclass point of view. It all gives weight to these seemingly simple scenes. Editor: This artwork certainly encourages more exploration, both to be aware of what is on the surface and what lays hidden.
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