Steun van Filips IV, koning van Spanje aan de Fronde in Frankrijk by Anonymous

Steun van Filips IV, koning van Spanje aan de Fronde in Frankrijk 1652

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print, metal

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portrait

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baroque

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print

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metal

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sculpture

Dimensions: diameter 3.1 cm, weight 5.84 gr

Copyright: Rijks Museum: Open Domain

Curator: Here we have an engraving, actually a commemorative coin, dating from 1652, titled "Support of Philip IV, King of Spain, to the Fronde in France." It’s part of the Rijksmuseum collection. Editor: Wow, it feels... weighty. Not just in terms of historical importance, but the darkness of the metal gives it a solemn, almost somber mood. Makes you wonder who felt thrilled carrying it back then, right? Curator: Exactly. The materials are central to understanding this. Coins weren't just currency; they were tools of propaganda. Notice the precision of the engraving; every detail speaks to power. Philip IV's profile, so clearly defined, projects authority, legitimacy, a king divinely appointed and ready to flex on his rivals in the French court by backing the Fronde uprising. Editor: True! But does it not seem slightly absurd? All this gravitas crammed onto a tiny little metal disc, as if grand power can be sealed into a token… which in a way it can, that's so clever! But imagine dropping this coin into a fountain; suddenly Philip is funding the wishes of random dreamers… Curator: A fitting analogy given how little concrete impact Spanish assistance ultimately had on the Fronde. Its primary importance lies not in material outcomes, but how this coin represents the interplay of political ambition and manufacturing capacity. Look at the eagle with Habsburg coat of arms on the reverse: a clear visual marker connecting Philip to his imperial dynasty. Consider how far and wide objects like these could circulate. Each one carries not only monetary value but also a concentrated dose of political messaging. Editor: Message in a bottle… of money! Although, thinking about those who toiled to create these coins—the engravers, the minters—that whole machinery of production sometimes gets lost when focusing solely on the King or some rebellion far, far away... Still it is fun how the littlest piece of material could stand for so much back in 1652! Curator: And perhaps still today... this little disk still bears testimony. Editor: Well said.

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