Portrait of a Man (Probably Nicola D'Inverno) 1888

John Singer Sargent likely painted this portrait of Nicola D'Inverno with oil on canvas. The visible brushwork is crucial to the character of this painting. The strokes are broad and confident, particularly in the jacket, giving a sense of form without fussy detail. Look closely, and you’ll see how Sargent built up the image gradually, the paint applied in layers, creating depth and luminosity. This technique, which depends on the skillful manipulation of a brush, was part of the artistic culture of the late 19th century. It emphasized individual virtuosity. Sargent makes it look effortless, but that is of course the point. The handling of the paint has a social context as well. A portrait like this, though not highly detailed, was still an expensive commission. By highlighting the speed and skill of the artist, Sargent delivered a kind of bespoke luxury item, a service performed by a visible hand. The work is not just a likeness, but an encapsulation of social status.