Kneeling friar with outstretched hands 1589 - 1654

Fra Semplice da Verona drew this kneeling friar with outstretched hands some time in the first half of the 17th century, using black chalk heightened with white on paper. Note how the chalk is applied in varied densities. The artist coaxes form out of shadow, using layered strokes to build up the figure's robe and the planes of his face. The white chalk highlights catch the light, adding a sense of volume and presence. The texture of the paper itself is also important; it provides a subtle grain that enlivens the surface. Fra Semplice was trained in the traditions of the Renaissance, but he brings a direct, almost humble quality to this study. It's a reminder that even within the realm of fine art, the skillful handling of materials and close observation of the world are essential. By attending to the craft of drawing, we can better appreciate the artist's vision.