Self Portrait 1892

Giovanni Boldini painted this self-portrait in 1892, capturing himself with oil on canvas. As an Italian expatriate in Paris, Boldini made a name for himself painting portraits of high society. But what does it mean to paint oneself? And how does one negotiate the politics of self-representation? Boldini’s attire suggests he is a bourgeois gentleman, but the lack of idealization and the loose brushstrokes also emphasize his artistic persona. This portrait blurs the line between a commissioned image and a candid glimpse into the artist's identity. To fully understand this work, we can turn to institutional archives and exhibition records. These resources offer a deeper insight into the social conditions that shaped both the artist and his art. The meaning of art is always contingent on its social and institutional context.