Journal des Demoiselles, Juin 1889, Nr. 4731 : Toilettes de Mme Brun-Cailleux (...) by P. Deferneville

Journal des Demoiselles, Juin 1889, Nr. 4731 : Toilettes de Mme Brun-Cailleux (...) 1889

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drawing, print, paper, watercolor

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drawing

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art-nouveau

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print

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traditional media

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paper

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watercolor

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sketchbook drawing

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watercolour illustration

Dimensions: height 270 mm, width 189 mm

Copyright: Rijks Museum: Open Domain

Curator: This image practically sings with summer. The seaside, those gorgeous dresses… it’s got such a breezy, lighthearted feel. Editor: Indeed, this is plate number 4731 from the "Journal des Demoiselles," dated June 1889, a print by P. Deferneville utilizing drawing and watercolor on paper. Its delicate rendering immediately strikes one as demonstrative of the Art Nouveau movement. The artist clearly paid close attention to line and composition, didn’t they? Curator: Oh, absolutely. The lines are so fluid, especially in the way the dresses flow. But it’s more than just pretty lines—there's a story being told, even if it's subtle. It’s that turn-of-the-century longing for something both elegant and carefree. Don't you think the color palette really nails that sensibility? Editor: From a purely structural point of view, observe how the three figures—arranged on the foreground plane in careful echelon—anchor the composition. Note also how their varying heights—like that of the lighthouse echoed behind—provide an intentional spatial rhythm. Deferneville creates, simultaneously, a compelling two-dimensional design and three-dimensional depth. Curator: You know, for me, the tennis rackets almost seem like a secret rebellion. Like, “Yes, we're perfectly poised, but we're also ready to break free and *play*.” It gives it such a wonderful energy. It seems to suggest a spirit outside that formal, structured existence, and shows it brimming just underneath the surface. Editor: Interesting point, but the formalism displayed here does not denote or confine merely surface attributes or a desire to break free. On the contrary, I find in Deferneville a genuine investment in portraying a precise sartorial aesthetic in material culture via his considered arrangement and balance. Curator: Well, whatever it is, it works. I could stare at this for hours, just imagining the conversations, the salty air…It just makes me happy. Editor: Yes, this print provides ample substance for aesthetic inquiry; a visual document worthy of careful appreciation and ongoing interpretation.

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