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Curator: Here we see "Figures on the Beach," a sketch in the style of J.M.W. Turner, housed here at the Harvard Art Museums. Editor: It feels so ephemeral, like a memory fading at the edges. Everyone is rendered in these soft grays, lost in thought. Curator: The ambiguity certainly invites projection. Considering Turner's later works, we might think about the societal shifts during the Industrial Revolution and reflect on the ways leisure was represented across class lines. Editor: I wonder, were they really there? Or did Turner just conjure them up from the sea mist? They're like these hazy little blots, so free from definition. Curator: True, Turner was interested in exploring the sublime power of nature, but I think he was also very keen on visually disrupting familiar social orders. Editor: And maybe that's what makes this feel so dreamlike—everything is kind of dissolving back into itself. Curator: It encourages us to look beyond surface appearances. Editor: It's like a visual poem about time and impermanence. I think I'll carry that with me today.
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