Teahouse Waitress Seated on a Bench by Sunayama Gosei

Teahouse Waitress Seated on a Bench c. 1815 - 1820

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imaginative character sketch

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toned paper

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cartoon sketch

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personal sketchbook

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ink drawing experimentation

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sketchbook drawing

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watercolour illustration

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storyboard and sketchbook work

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cartoon carciture

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sketchbook art

Dimensions: height 179 mm, width 117 mm

Copyright: Rijks Museum: Open Domain

Curator: This lovely ink drawing is called "Teahouse Waitress Seated on a Bench", created circa 1815-1820 by Sunayama Gosei. The warm toned paper makes for quite an inviting scene. Editor: It's a very serene image. She looks quite relaxed, doesn't she? There's a definite mood of contemplation, like she's paused for a moment to gather her thoughts. Curator: Observe how the artist places her against the signpost, and there is the plum blossom too. Notice, those textual elements, along with the signpost and the text on it, subtly place her at a very specific place, at a very specific time. It feels almost like an emblem. Editor: Yes, that interplay is significant. In terms of the social history, such spaces often functioned as liminal zones, places of encounter, business, and pleasure, particularly for women who had roles to perform within these environments. It highlights the role of women's labor in shaping these spaces, but there are questions around agency too. Curator: The floral motif and the script really underscores the culture of beauty and intellect surrounding even the commonest of everyday moments. Look how carefully and attentively the figure is drawn – every fold and adornment speaks of artistic devotion. Editor: Absolutely. I think situating it within the context of ukiyo-e traditions – 'pictures of the floating world'–is key to really thinking about these themes of transience and fleeting pleasures. The woodblock print itself speaks of reproducibility and accessibility. But beyond an immediate image, the pose can become a visual reference point to indicate leisure or work as a commodity for a culture on the move. Curator: The careful layering and the artist’s command over depth, form, even a slight bit of humor, indicates how traditional methods evolved through time. This print gives an incredible insight into how society portrayed itself, or maybe wished to portray itself. Editor: A fleeting yet impactful portrayal—food for thought on the shifting roles of labor, leisure and representation. Curator: A compelling meditation, and another story is made vivid!

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