The day after. Licked, and the world laughs at you! by Louis Glackens

1913

The day after. Licked, and the world laughs at you!

Listen to curator's interpretation

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Curatorial notes

Curator: Allow me to introduce you to "The day after. Licked, and the world laughs at you!" a colored pencil drawing and print crafted by Louis Glackens in 1913. Editor: My first impression is how oddly unsettling this is. The caricature-like depiction almost leans into grotesque. The Earth as a head, with that unnerving grin, creates this eerie mood. Curator: Indeed. Consider the historical context. This work likely functions as a commentary on power, and specifically on failed political ambitions. Note the defeated figure and his discarded banner. Glackens used visual metaphor to explore themes of disillusionment within the political landscape. Editor: Structurally, the weight of the Earth-head is masterfully conveyed. The color palette too. The muted tones against the grinning Earth really create visual emphasis that leads the eye. Curator: Precisely. The composition suggests that Jenkins represents, on a symbolic level, the cost that often falls on the individual when systems or ambitions prove hollow or unreachable, weighed down perhaps by a gloating world. It suggests the consequences of social failure in early 20th century America, where only certain powerful voices prevailed. Editor: The line work, however, is surprisingly precise for a piece that strives for a chaotic impact. Observe the clean rendering of the fence compared to the slumping pose of the figure. What appears grotesque contains clear formal calculations. Curator: Absolutely, and considering his other illustrations for publications at the time, Glackens critiques a particular form of toxic power; and the Earth's gleeful anthropomorphism seems complicit within the established order, highlighting how individual failures are swallowed up within an indifferent world. Editor: Fascinating. What at first seems almost crude, holds intricate structures of symbolism that invites more than one analytical gaze. Curator: Precisely. A perfect artwork for deconstruction. Editor: And perfect for celebrating formalism's analytical capabilities, as well!