Copy after the Figurine c. 17th century

Curator: This etching, "Copy after the Figurine," was created by Salvator Rosa, an Italian artist active in the 17th century. The work resides here at the Harvard Art Museums. Editor: It feels immediately classical, with the reclining nude and pastoral setting. There's a sense of melancholy here, like she's mourning. Curator: Rosa was known for his dramatic landscapes and history paintings. This piece seems to reflect a fascination with antiquity, possibly alluding to a specific myth or allegory, though the exact figurine he copied remains unidentified. Editor: The woman's pose, leaning on the rock with her head resting on her hand, evokes themes of sorrow or contemplation. Perhaps she represents a nymph or a personification of grief? Curator: The lack of a clear narrative leaves the interpretation open. Rosa often engaged with philosophical and political themes in his art, subtly questioning societal norms through allegorical imagery. Editor: Ultimately, Rosa's image leaves us pondering what burdens this figure carries, or perhaps the burden of representation itself. Curator: Indeed, the image’s ambiguity prompts reflection on the power of art to evoke emotional responses even without a defined story.