Herenhorloge van goud by Benjamin Lautier

Herenhorloge van goud c. 1850

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metal, photography

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portrait

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still-life-photography

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metal

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photography

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romanticism

Dimensions: diameter 4.3 cm, height 5.8 cm, width 4.3 cm, depth 1.8 cm

Copyright: Rijks Museum: Open Domain

Curator: What strikes me first is the warm, opulent gleam of the gold. Editor: Absolutely, there’s something inherently nostalgic about a golden timepiece. This is a still life of a gentleman's gold watch, dating back to about 1850, attributed to Benjamin Lautier. Curator: The gold casing immediately signifies status and the passage of time takes on new dimensions with that sort of inherent, culturally ascribed value. Note also the soft shimmer, accentuated with those turquoise accents. It creates a sense of temporal luxury and refinement, evoking a slower pace of life. Editor: Consider the labor invested into a piece like this. The gold was likely mined, then meticulously crafted—maybe even by hand. These are highly skilled processes and it invites a reading of economic stratification in the Romantic era. How access to not just luxury, but *time itself* was deeply impacted by wealth and access. Curator: Indeed, gold carries symbolic weight across cultures— associated with the sun, eternity, divine knowledge... but its use in a functional item shifts the significance. What once adorned sacred spaces becomes a pocket necessity, democratizing access even as its core value retains a sense of grandeur. That is so fascinating to me. Editor: Fascinating, certainly, and that granular detail in the etching. It appears to show a vine motive or an allusion to other flora of some kind, all working to give this item more than its base components. Do you think its mere ornamentation, or could there be other meaning? Curator: I see floral imagery which signals renewal and organic growth in contrast to time's measured passage. So, on the one hand, we see gold standing for unchanging value, but then we are shown something delicate and ephemeral to offer contrast and greater thematic texture. I wonder about Lautier’s own awareness in contrasting those themes, if intentional. Editor: Or, a romantic reading… Perhaps, simply the idea that even time and metal are subject to change. It presents interesting questions. It will take additional work to examine what each mark represents. Curator: Precisely, each piece prompts new layers to unravel! Editor: A gleaming relic that whispers tales of economics, labor, and symbolism, indeed.

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