About this artwork
Gentile da Fabriano painted this tempera and gold on panel altarpiece in the early 15th century. Observe how the Virgin Mary is depicted seated on a throne with the Christ Child, flanked by angels. The halo, a circle of light around their heads, signifies divinity, tracing back to sun-worshipping traditions and appearing in various cultures to denote holy figures. Consider the gesture of blessing made by the Christ Child, a symbolic act of benediction that echoes across time, from ancient Roman oratory to Byzantine iconography. This gesture reappears throughout history, a visual shorthand for divine favor, yet it shifts with cultural nuances. From the raised hand of emperors bestowing blessings to the Pope, this cyclical progression shows a new meaning in different contexts. The image possesses a powerful emotional resonance, engaging viewers on a deep, subconscious level.
Quaratesi Altarpiece, Virgin and Child
1425
Artwork details
- Medium
- tempera, painting, oil-paint
- Dimensions
- 83 x 140 cm
- Location
- National Gallery, London, UK
- Copyright
- Public domain
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About this artwork
Gentile da Fabriano painted this tempera and gold on panel altarpiece in the early 15th century. Observe how the Virgin Mary is depicted seated on a throne with the Christ Child, flanked by angels. The halo, a circle of light around their heads, signifies divinity, tracing back to sun-worshipping traditions and appearing in various cultures to denote holy figures. Consider the gesture of blessing made by the Christ Child, a symbolic act of benediction that echoes across time, from ancient Roman oratory to Byzantine iconography. This gesture reappears throughout history, a visual shorthand for divine favor, yet it shifts with cultural nuances. From the raised hand of emperors bestowing blessings to the Pope, this cyclical progression shows a new meaning in different contexts. The image possesses a powerful emotional resonance, engaging viewers on a deep, subconscious level.
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