Schrijvende vrouw aan het water by Jan Toorop

Schrijvende vrouw aan het water 1898 - 1928

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drawing, print, etching, paper

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portrait

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drawing

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print

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etching

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landscape

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figuration

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paper

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line

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symbolism

Dimensions: height 148 mm, width 120 mm

Copyright: Rijks Museum: Open Domain

Editor: Jan Toorop's etching, "Woman Writing by the Water," created sometime between 1898 and 1928, gives me a sense of serene introspection. The woman, almost hidden within the woods, seems deeply absorbed. What catches your eye, and how do you interpret the imagery here? Curator: What I see is Toorop delving into the symbolism of enclosure and liberation. The woman, nestled at the base of the tree, is within nature, perhaps suggesting a connection to primordial knowledge, to some deep collective unconscious. The water, often symbolic of the subconscious, and her act of writing... it is all about giving form to thoughts, making the unconscious conscious. What do you think of that contrast, the dark forest versus the open water? Editor: That's fascinating! The dark forest definitely feels like a protected, almost womb-like space, allowing for that inward journey, which contrasts so vividly with the open water. But why the prominent depiction of barren trees if it signifies 'liberation?' Curator: Perhaps because they're bare they don't obstruct, they are reduced to their essential forms, creating linear patterns, calligraphic gestures. Toorop allows for contemplation; he clears away distractions to show, rather than tell, the soul's interaction with both the known and unknown. The trees are thus emblematic of reaching and striving beyond the limits of sight. The branches point skyward; how might the landscape elements invite narrative, do you imagine? Editor: It paints a rather evocative image of the creative process itself, grappling with ideas. I appreciate your reading into the connection with primal wisdom and psychological states. I initially saw it simply as a tranquil scene. Curator: The layers of meaning in these older works often lie beneath that initial tranquility, acting almost as visual allegories. These symbolist artists used commonplace subjects like this to express grand, profound statements of life. Editor: I'll never look at a woman in nature the same way again! Thank you for expanding my understanding beyond the surface level.

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