Portrait of Cornelis Apostool, First Director of the Rijksmuseum c. 1816

Charles Howard Hodges painted this portrait of Cornelis Apostool, the Rijksmuseum's first director, using oil on canvas. Notice how Hodges uses a symmetrical composition, dividing the canvas vertically, with Apostool positioned slightly off-center. This asymmetry destabilizes the conventional power dynamic of portraiture, adding a layer of complexity to the image. The dark coat and backdrop create a somber mood, emphasizing the book held in Apostool’s hand. This book acts as a signifier, hinting at knowledge and intellect, qualities associated with his role as a museum director. Hodges’ technique, blending subtle gradations of light and shadow, draws our attention to the sitter’s gaze directed off to the side. The gaze suggests introspection. Through these formal choices, Hodges goes beyond mere representation, and instead he crafts a narrative around intellect, authority, and the subtle play of power.