Portret van Marc René de Voyer de Paulmy d'Argenson 1700 - 1751

This is Pierre Dupin’s engraving of Marc René de Voyer de Paulmy d'Argenson. The print presents the Marquis within an oval frame, a classical structure that immediately suggests formality and order, yet the Marquis's wig disrupts this sense of control, its wild curls spilling out. Dupin masterfully uses line to define texture and form. The dense, cross-hatched lines create depth and shadow, particularly in the Marquis's robes, giving them a palpable weight. The face, though small, is rendered with meticulous detail. The semiotic language here is clear: the oval frame, the Marquis's attire, and even the elaborate script below all signify status and intellect. Yet, Dupin subtly challenges these fixed meanings. The unruly wig hints at a personality that resists complete categorization, a tension between the individual and the societal role they inhabit. Consider how this interplay of order and disruption doesn't just offer a portrait of an individual, but invites us to question the very structures of identity and representation prevalent in the 18th century.