Untitled Portrait 1996

Editor: We’re looking at Nuri Iyem’s "Untitled Portrait" from 1996, a coloured pencil drawing. The blue skin tones give her an otherworldly feel. What stands out to you in this piece? Curator: You know, it's the gaze that gets me. Those eyes, slightly unfocused, but intensely present. It's as if she’s looking through you, beyond you, maybe even into the artist himself. I wonder, what secrets did Iyem see reflected back at him as he worked? And why the unexpected colour choice? The violet skin hints at vulnerability, but there is still serenity in that face. Does that resonate with you? Editor: Yes, definitely. It makes me think of religious iconography, like Byzantine Madonnas, with their solemn expressions. Is there a connection, do you think? Curator: It's funny you mention that, because her pose reminds me of certain depictions of women in my past. However, that piercing gaze combined with such an unconventional choice of colors sets this apart. This isn’t just replication. It feels intensely personal, almost as if Iyem is baring his soul while attempting to depict a beautiful female figure. What feelings do you have about that statement? Editor: It adds a layer of complexity that I didn't initially consider! So it is like both the painter and subject are being portrayed. Curator: Exactly! It makes the ‘Untitled’ tag so fitting, because it keeps the interpretation wide open! Editor: It makes you want to dive even deeper to find a more fulfilling title that accurately portrays the drawing! Curator: Agreed.