Saint Philip Neri (1515–1595) 1645 - 1646

Curator: This portrait of Saint Philip Neri, who lived from 1515 to 1595, was completed between 1645 and 1646. Carlo Dolci’s painting gives us a view into the imagery of sainthood. Editor: My first impression is one of profound solemnity, achieved through a somber palette and the intense focus on the sitter's face. There's also something very intentional about the use of oil paint to create that sense of texture in his beard. Curator: Texture is very much the point. Consider the contrasting materials—the coarseness of his beard rendered so meticulously against the smoother surfaces of his skin and simple black robes. How the artist manipulates the very oil itself speaks to Dolci’s training and workshop practices, no? Editor: It certainly does. The stark, black clerical garb is the most immediate symbol. This echoes into themes of penitence and humility which are consistent within the Baroque era. I can’t help but to think of Neri as a person dedicated to these same symbolic forms through his order of the Oratorians. Curator: Exactly! You know, this wasn’t just art hanging in a void, but really reflects Counter-Reformation strategies during this historical period. It’s almost agitprop if you think of it from that angle! Editor: Agitprop… perhaps a little strong? I still see his gaze as quite benign, which leads me to wonder if the image is working to persuade viewers. It gives off impressions of piousness without coming off too stern. This more intimate image has got me reconsidering just what feelings this image really means to portray. Curator: The artist does make choices to create this overall effect through both image and use of material. I agree, that balance could indeed soften it to reach broader audiences with greater intention than agitprop alone. Editor: In conclusion, the painting’s somber tone underscores the imagery with subtle persuasive force to highlight themes of sainthood and Catholic reform efforts during this important historical moment. Curator: Well put! It’s in those contrasts, I think, that we truly understand the art. Thank you!