Pendant with The Annunciation by Salomon Weininger

Pendant with The Annunciation 1850 - 1875

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mixed-media, intaglio, gold, relief, sculpture

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portrait

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mixed-media

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narrative-art

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intaglio

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gold

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relief

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sculpture

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neo-romanticism

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history-painting

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decorative-art

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decorative art

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miniature

Dimensions: Diameter: 2 3/8 in. (6 cm)

Copyright: Public Domain

Curator: Behold "Pendant with The Annunciation," a miniature scene rendered in gold and mixed media, created sometime between 1850 and 1875 by Salomon Weininger. You can find this delicate piece nestled within the Metropolitan Museum of Art's collection. Editor: It shimmers. My first thought is how meticulously detailed it is, yet it feels somehow…contained. It's a whole story squeezed into something I could hold in my palm. What's the scale exactly? Curator: It is indeed quite small, which only enhances the artistry involved in carving such intricate scenes within such limited space. Consider how the neo-romantic ideals would frame such depictions of narrative and history. Editor: Narrative, yes. The composition feels both reverent and…a little claustrophobic, doesn’t it? Mary and Gabriel are so close. Is that intentional? Is it meant to amplify the intimacy and personal nature of that moment? Curator: That’s a keen observation. The compression of space does bring an almost theatrical intensity to the encounter. It could reflect broader anxieties within 19th-century culture and the artist's environment surrounding religious faith. And given it’s a pendant, intended for personal adornment, the intimacy makes sense. One could literally keep their faith close to their heart. Editor: Ah, right! A wearable icon. The craftsmanship just stuns me. The relief work, the color choices… it’s like a jewel-toned dream. Are the floral motifs just decorative, or might they symbolize something deeper? Curator: While primarily decorative, the flowers are not random. Flowers feature prominently within depictions of Annunciation; there are lilies that are known to be a symbol for Mary. Consider also, the rise of the decorative arts movement during this time—the fusion of beauty with function becomes almost a spiritual endeavor. Editor: Knowing this object lives in the Met makes me wonder about its journey. Was it a personal commission? Part of a larger series? It certainly whispers stories of devotion, status, and the power of art to carry both. I'm glad for a chance to really contemplate its intricate nature today. Curator: It certainly gives pause. By blending intimate scale with grand themes, this "Pendant with the Annunciation" offers us much to ponder about faith, artistry, and the intricate stories objects can carry.

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