Hibiscus and Black-naped Oriole Possibly 1830

Editor: This woodblock print, "Hibiscus and Black-naped Oriole" by Utagawa Hiroshige, presents such delicate lines and soft colors. It feels quite serene. What stands out to you about the materiality and process of this print? Curator: The woodblock process itself is crucial. Think about the labor involved in carving those blocks, and the societal implications of making art accessible through mass production. How does this challenge our ideas of "fine art," traditionally associated with unique, handcrafted objects for the elite? Editor: That’s a good point. It connects artistic expression to the larger context of labor and accessibility. I hadn't considered that. Curator: Exactly! And the materials – the paper, the inks – they all speak to consumption and trade networks of the time. Reflecting on the materials makes us appreciate this piece on so many levels. Editor: I'll definitely look at prints differently now. Thanks!