print, photography, gelatin-silver-print
landscape
photography
gelatin-silver-print
paper medium
Dimensions: height 60 mm, width 90 mm, height 210 mm, width 260 mm
Copyright: Rijks Museum: Open Domain
Editor: So, here we have "Verwoeste bruggen," or "Destroyed Bridges," a gelatin-silver print dating probably from 1940 to 1946. It’s anonymous, which somehow makes it feel even more poignant, more universal. The overall mood is definitely somber and ruinous. It is a photo album page. There is so much sadness here. What's your take on it? Curator: Well, first off, "poignant" is absolutely the right word. It speaks volumes, doesn't it? The starkness of black and white amplifies the desolation. Knowing these photos were likely taken during or shortly after the war, it's impossible not to feel the weight of that history. The placement of the prints in what appears to be a personal album… it adds such an intimate layer. Imagine the person who compiled this. Did they lose loved ones? Witness these events firsthand? It becomes almost like a visual diary. It shows not just the destruction, but, maybe, a survivor's need to make sense of it all? I am particularly drawn to the cross and helmet marking what may be a grave; what do you make of that image? Editor: It does highlight the human cost beyond the purely physical destruction of infrastructure. Do you think the photographer aimed to make any kind of political statement with these photos? Or is this simply documentation? Curator: Hmmm… I think it is both, to some degree. During times of intense social upheaval, isn't everything political to some degree, even just documenting a scene? It subtly prompts questions about the costs of conflict and what gets left behind in the aftermath. The human element that is often obscured in history books become real somehow, brought forward. Editor: So, looking at this artwork has shifted my perspective a little. I initially just saw a scene of devastation, but now I see layers of personal experience embedded within this historical moment. Curator: Exactly! It invites us to contemplate not only what was lost, but also how we remember and record these memories in the first place. The artist may have not set out with an overt purpose, but history will remember this album for generations to come.
Comments
No comments
Be the first to comment and join the conversation on the ultimate creative platform.