Portrait of Raymond by Amedeo Modigliani

Portrait of Raymond 1915

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amedeomodigliani

Private Collection

painting, oil-paint, impasto

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portrait

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painting

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oil-paint

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oil painting

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impasto

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underpainting

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expressionism

Dimensions: 37 x 29 cm

Copyright: Public domain

Curator: Here we have Amedeo Modigliani’s "Portrait of Raymond," painted in 1915. What do you see when you first encounter this image? Editor: Eerily compelling! Those almond eyes, one an open window, the other...well, a suggestive void. And that elongated face, so intensely sculpted. It's as if Raymond exists both here and somewhere else. Curator: The single, almond-shaped eye certainly commands attention. Absent eyes in portraiture are often a symbol of inner vision or of spiritual disconnection. Considering Modigliani’s engagement with the spiritualist movements of his time, what do you read in it? Editor: It strikes me as though Modigliani’s Raymond is not fully present, maybe lost in thought, existing in an entirely different plane of being, even. It could be disconnection or intense focus turned inward. Is he sad or thoughtful or what else? Curator: The impasto brushwork around the eyes also directs our focus. Notice how Modigliani modeled form not just through color, but also by building up thick layers of paint? That layering gives a sculptural weight to Raymond’s presence. Editor: And the way the artist used unblended colors in a way gives a modern touch, almost cubist! It’s quite intense and, again, erring towards disquieting...But in a beautifully executed way. Is "Raymond" in fact a veiled self-portrait, an inner vision given form? Curator: That's certainly possible. Considering Modigliani’s Expressionistic leaning and his tendency towards psychological probing within the subject, it opens possibilities to interpret this Raymond’s visage in multiple layers of the human condition and spiritual essence. Editor: It is thought-provoking how this painter evokes so much emotion and narrative in seemingly simplified form. There's a quiet intensity there that is undeniably captivating, yet unsettling. Curator: Indeed. I leave you with Raymond’s enigmatic gaze. Perhaps the portrait mirrors our own attempts to truly "see" one another. Editor: Definitely, a glimpse into an unchartered spiritual space makes me ponder about seeing beyond the surface...thanks for enlightening our perspective!

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