Mulata no sofá 1973

Emiliano Di Cavalcanti created “Mulata no sofá” in 1973. He was a key figure in the Brazilian modernist movement, which sought to create a uniquely Brazilian art form distinct from European traditions. This painting offers a glimpse into the representation of Afro-Brazilian identity during a period of cultural nationalism. The term "mulata" itself carries a complex history, often romanticizing the mixed-race heritage while simultaneously exoticizing the female figure. Di Cavalcanti, however, imbues his subject with a sense of languid introspection. Her gaze, averted yet knowing, challenges the viewer to consider her perspective beyond mere objectification. The artist once said, "I am a painter of the Brazilian people." In "Mulata no sofá," he navigates the intersection of race, gender, and national identity, prompting reflection on the multifaceted experiences of Brazilians. This invites us to consider the emotional and personal dimensions of cultural identity.