Heer maakt een gemaskerde dame het hof bij de Opéra de Paris by Edouard de Beaumont

Heer maakt een gemaskerde dame het hof bij de Opéra de Paris 1844 - 1846

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drawing, lithograph, print

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portrait

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drawing

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16_19th-century

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lithograph

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print

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old engraving style

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figuration

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historical photography

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romanticism

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line

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genre-painting

Dimensions: height 353 mm, width mm

Copyright: Rijks Museum: Open Domain

Edouard de Beaumont's print captures a scene at the Opéra de Paris. Here, a man in a top hat woos a masked woman. The mask is the image’s most powerful symbol, isn't it? In many cultures, it transcends mere disguise; it's a potent emblem of transformation, a tool to conceal and reveal. Think back to the ancient Greek theater, where masks amplified emotions, allowing actors to embody tragedy or comedy. Or consider the carnivals of Venice, where masks blurred social boundaries, inviting liberation from societal norms. Here, the woman's mask conceals her identity, perhaps allowing her a momentary escape from the constraints of her social role. The mask holds secrets and unspoken desires, engaging us on a subconscious level and reminding us of the cyclical nature of human behavior. These symbols resurface throughout history, evolving with each telling.

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