Candlestick by Serge Nekrassoff

c. 1948

Candlestick

Listen to curator's interpretation

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Curatorial notes

Editor: Here we have a pair of candlesticks, made around 1948 by Serge Nekrassoff. They're fashioned from metal and possibly some ceramic, and I’m really struck by the almost botanical forms. How do you read this work? Curator: The spiral of the central stem evokes the winding path of life, or perhaps a vine reaching for light. And note the base—radiating segments resembling flower petals or leaves. This connects the object to cycles of nature, suggesting rebirth. Editor: So you see these as more than just functional objects? Curator: Precisely! In many cultures, light symbolizes knowledge, divinity, and hope. What’s the first thing that comes to mind when you imagine flickering candlelight? Editor: I guess a sense of warmth, maybe even a touch of ceremony? It feels connected to rituals. Curator: Exactly! Candlelight often accompanies rituals of remembrance, celebration, or prayer. Nekrassoff seems to tap into our collective memory of such occasions. The floral motif further suggests celebrations surrounding growth and renewal. They represent more than what’s first perceived, don't they? Editor: They certainly do. The organic design, combined with the material, elevates them beyond the everyday. It seems these forms embed a visual memory in the candlesticks themselves. Curator: I agree, they seem to possess emotional significance from long ago. Now that you mention it, I wonder if these have served more purposes beyond domestic spaces... Editor: I had not considered that... I'll think about that.