Crucifixion c. 15th century

Editor: Here we have an anonymous woodcut titled "Crucifixion," housed at the Harvard Art Museums. It's so raw, almost childlike in its simplicity. What can you tell me about the processes used to create this? Curator: Notice the rough hewn lines, the basic application of color. This speaks to a mode of production where the accessibility of materials and tools was paramount. Consider how this contrasts with the later emphasis on individual artistic genius. Editor: So, the focus shifts from artistry to accessibility and mass production? Curator: Precisely. This piece highlights the social context of artmaking, how faith becomes intertwined with the material realities of its dissemination. The meaning resides in the reproduction, in the multiple. Editor: I never thought of it that way! Thanks for showing me how material conditions shape artistic expression.