Selvportræt med cigaret 1908 - 1909

Editor: This is Edvard Munch's "Self-Portrait with Cigarette," created between 1908 and 1909. It's a lithograph, mostly in graphite, with very stark monochrome contrasts. It almost feels like the figure is emerging from smoke. What compositional elements stand out to you in this piece? Curator: Primarily, the striking juxtaposition of light and shadow arrests my gaze. Notice how the severe chiaroscuro divides Munch’s face, obscuring half in profound darkness while the other is brutally exposed. This sharp contrast, amplified by the vigorous, almost frantic application of graphite, contributes to a palpable sense of unease. Consider also the swirling lines surrounding the figure; do they feel supportive or constricting? Editor: I see what you mean. The lines seem to both define and confine him, especially with the high contrast. What is the effect of this choice? Curator: The swirling vortex creates a powerful sense of dynamism and turmoil, reflecting perhaps an internal psychological state. Munch masterfully uses the inherent properties of graphite, exploiting its capacity for tonal variation and textural richness. The surface texture, rendered through frantic strokes, generates visual interest but also amplifies the emotional intensity. Does the lack of blending change how we see the subject's emotional state? Editor: Yes, the texture definitely amplifies a sense of unrest, doesn’t it? I hadn't thought of it that way before. It’s fascinating how much emotion he conveys through just line and shadow. Curator: Indeed. By dissecting the formal components – line, tone, texture, composition – we unlock the expressive potential of this compelling self-portrait. Consider how a photograph versus a graphite image would shift this read. Editor: I will definitely consider that! Thank you for unpacking that with me. I definitely appreciate it.