Portret van Johannes Stroebel by Johan Hendrik Hoffmeister

Portret van Johannes Stroebel c. 1851 - 1883

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drawing, ink

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portrait

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pencil drawn

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drawing

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ink

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pencil drawing

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portrait drawing

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realism

Dimensions: height 500 mm, width 325 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have a portrait drawing of Johannes Stroebel, made sometime between 1851 and 1883 by Johan Hendrik Hoffmeister. It seems to be crafted with both pencil and ink. Editor: Oh, he looks like a man full of secrets. See how the lines around his eyes deepen into shadow? He's got a story etched on his face, wouldn’t you agree? Almost like a faded photograph, hinting at hidden narratives... Curator: It's fascinating how Hoffmeister uses line work to create a sense of volume. Notice the cross-hatching in his jacket, mimicking the texture of the fabric? It really highlights the burgeoning textile industry and its increasing impact on fashionable attire during the 19th century. Editor: Absolutely! But I also get a feeling of restrained sadness. That loose bow tie, ever so slightly undone… A hint of rebellion maybe? The romantic idea of a tortured artist struggling in his craft—or maybe he just wanted to loosen it after a long sitting! Curator: The method of production speaks to this tension between utility and fine art. Drawings like this would have served practical functions. They were easily reproduced for commercial distribution, highlighting the changing landscape of portraiture during this era. It's not just art for the elite anymore. Editor: But still, there's an undeniable artistry. It almost dances on the edge of realism with his very neatly organized ringlets! The subtle gradations of shade. This image becomes almost ghost-like, yet still familiar in its rendering... a very odd dance to take on! Curator: Perhaps it mirrors the individual himself: Johannes Stroebel's identity becoming something both specific and reproducible in this new industrial age. These lines that make up his image are reflections of labor and reproducibility themselves, a sort of mirror reflecting modern society as much as the sitter! Editor: Hmmm, fascinating, I guess in the end we both project our individual visions onto this work and thus keep his story in the dance of art. It keeps the image, and hopefully even Mr. Stroebel, alive.

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