Bruiloft in Kana by Hans Liefrinck

Bruiloft in Kana 1540 - 1560

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print, engraving

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print

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old engraving style

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caricature

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figuration

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pen-ink sketch

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portrait drawing

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genre-painting

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history-painting

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northern-renaissance

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engraving

Dimensions: height 242 mm, width 191 mm

Copyright: Rijks Museum: Open Domain

Editor: This engraving, "Bruiloft in Kana" by Hans Liefrinck, dating from the mid-16th century, depicts what looks like a bustling wedding scene. There's a lot happening. What draws my eye is the incredible detail achieved through the engraving technique, but it’s hard to make sense of it all at first glance. What do you see in this piece? Curator: Indeed, it’s teeming with detail! Beyond just a depiction of the wedding feast at Cana, consider how Liefrinck uses visual language here. Notice the repetition of vessels. We have them in the foreground but also subtly echoed in items on the mantelpiece in the upper left. This multiplication isn't accidental. How does the meaning change when you relate these groups of similar objects to one another? Editor: So, the vessels…I initially just saw them as part of the setting, indicative of wealth, perhaps. But now that you point it out, the groupings seem more intentional. Curator: Exactly. This is a marriage, a symbol of union, but it’s also a story of miraculous transformation - water into wine. Do you notice the subtle hierarchy in the depiction of figures and what that might symbolize? Editor: You mean how some figures are more prominent than others? The ones in the back seem…almost like spectators? I’m guessing the more detailed, central figures hold greater significance? Curator: Precisely! It's an invitation to consider what roles are most meaningful, and to whom they’re meaningful. Perhaps that central grouping suggests the start of something that ripples outwards to touch all those around, much like the story this scene portrays. How has your view shifted after considering the symbol here? Editor: It's amazing how much deeper it goes. It started out as a busy scene but feels more like a meditation on transformation and the importance of the moment now. Curator: Indeed, Liefrinck has encoded profound concepts within what initially appears to be a genre scene. His understanding of symbol makes the print more relevant to us, across centuries.

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