Thomas Raikes (1741–1813), Governor of the Bank of England (1797–1799) 

George Romney painted this portrait of Thomas Raikes, Governor of the Bank of England, using oil on canvas. The composition immediately draws the eye to the sitter, positioned against a backdrop that suggests both power and intellect. Romney masterfully uses a muted palette, with the dark blues and blacks of Raikes' attire contrasting against the soft, diffused light of the background, and the crimson drapery. The careful arrangement of light and shadow models Raikes' face, lending him an air of authority. Note how the texture of the fabric in his clothing and the subtle sheen of the writing desk add depth and realism. This portrait goes beyond mere representation; it’s a study in contrasts and balance that visually communicates Raikes' status. The formal elements work in harmony to convey a sense of control and refinement, reflecting the values associated with the governorship during a time of significant economic and political change. Ultimately, this is a visual statement about the subject's role within the socio-political landscape.