c. 1934s
Ontwerp voor een wapen met twee sterren en bladeren
Carel Adolph Lion Cachet
1864 - 1945Location
RijksmuseumListen to curator's interpretation
Curatorial notes
Curator: Welcome. Today, we are looking at Carel Adolph Lion Cachet's "Ontwerp voor een wapen met twee sterren en bladeren," or "Design for a coat of arms with two stars and leaves" created around 1934. It's currently housed here at the Rijksmuseum. Editor: My immediate reaction is how delicate it seems. The pencil and ink sketch on paper feels intimate, like a glimpse into the artist's process rather than a finished declaration. It is visually understated and the use of yellow pastels provides for warmth. Curator: Indeed. The sketch provides a valuable lens into Cachet's interest in heraldry, which was very much influenced by the Medievalism art movement. The detailed crest with the foliage, helmet, and heraldic animal reflect this clear interest in historic social hierarchies. Editor: And thinking about the historical context, it’s fascinating to consider this design arising in the 1930s. The symbolism of heraldry – lineage, power, and identity – takes on added weight during the rise of nationalism and authoritarianism of that era. Who was this design intended for? What social narratives were they hoping to inscribe or resist? Curator: Those are exactly the right questions to be asking. The work appears unfinished as a preliminary sketch, however, It allows us a special look at the traditions within the world of graphic arts design that sometimes remains concealed. It serves as a great historical document. Editor: Exactly! The geometric shapes, stars, and foliage can be further interpreted in a variety of ways, perhaps even relating to esoteric interpretations. While heraldry evokes aristocracy, the stars hint at a broader connection to nature or the cosmos, complicating the narrative. It is more than a noble statement of wealth. Curator: Absolutely. It displays so much insight into the history of design making it available and public. We also can consider that it makes history more available and transparent for our audiences. Editor: Right, so, as we examine "Design for a coat of arms with two stars and leaves", its delicate lines and unfinished quality urge us to think critically. It causes us to ask more questions about social identity and class. Curator: Agreed. By engaging with Cachet's drawing, we reveal social and graphic histories that resonate even today. Thank you.