Portret van Nicolas Poussin 1815 - 1817

Jacques Noël Marie Frémy created this engraving, “Portret van Nicolas Poussin.” The loose drapery around Poussin’s shoulders is a symbol that echoes through time. We see it in classical sculptures and Renaissance paintings, often signifying wisdom or artistic inspiration. This motif descends from ancient Roman senatorial togas, indicating status and intellect. Notice the resemblance to Michelangelo’s self-portrait within the “Last Judgement.” In that portrait, the flayed skin he holds also has the same draped fabric, conveying a deep sense of existential reflection. Similarly, in this portrait of Poussin, the cloth evokes a connection to artistic heritage and intellectual pursuit. The motif is not merely a piece of fabric; it becomes a vessel carrying centuries of artistic intent. The drapery acts as a psychological trigger, engaging our collective memory and subconscious understanding of artistic legacy. It’s a subtle yet powerful way to connect Poussin to a lineage of profound thinkers and creators. Through this symbol, the past is never truly gone but perpetually resurfaces, transformed yet familiar.