Gekroond wapenschild in ornamentele omlijsting by Bernard Picart

Gekroond wapenschild in ornamentele omlijsting 1725

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Dimensions: height 60 mm, width 72 mm

Copyright: Rijks Museum: Open Domain

Curator: This etching, engraving and pen illustration by Bernard Picart, from around 1725, is titled "Crowned Coat of Arms in Ornamental Frame." I find its allegorical qualities so compelling! What's your initial impression? Editor: Claustrophobic! All that Baroque ornamentation feels like it’s pressing in from all sides. It’s intricate, for sure, almost aggressively so, and black and white – austere despite the busyness. Curator: You see that tension, too. These visual elements reflect a society obsessed with status and lineage. Think about it: in the 18th century, heraldry wasn't just decoration; it was a statement of power and social standing, meticulously controlled. Picart would have understood its language intimately. Editor: Absolutely. And the crowned shield is front and center, isn't it? Surrounded by cherubs blowing trumpets, classical figures in helmets... all clamoring for attention. Who was this made for? Curator: Likely commissioned by a noble family or a municipality looking to legitimize their image. It might be bound in a book, as a title page or displayed publicly to affirm their authority. I wonder though, if Picart felt restricted by the genre. He's so gifted; did this kind of work liberate or confine his vision? Editor: I get that. This kind of commission would bring economic independence. Artists working for political power: what could be more reliable? And this example could be seen everywhere in print for centuries to come, maybe this is how it transcends mere function. It reflects and reifies the class and societal order! Curator: Good point, the printmaking enabled distribution to a wider audience, a reproduction of power. Though one might assume the subject to have benefited directly from that privilege! Editor: Exactly! Curator: Pondering the social history intertwined with aesthetics is an awakening experience in front of these printed Baroque works, don’t you agree? Editor: A great point. The tension between ostentation and accessibility makes you want to know all about this society's values! I feel the urgent need to study up some baroque social dynamics after having examined the artwork so thoroughly!

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