Dimensions: object: 286 x 152 x 102 mm
Copyright: © The estate of Lynn Chadwick. All Rights Reserved 2010 / Bridgeman Art Library | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Here we have Lynn Chadwick's "Inner Eye (Maquette III)," a small sculpture, part of the Tate Collection. It's intriguing, wouldn't you agree? Editor: Absolutely, it evokes a powerful sense of the primitive. The dark metal contrasts sharply with what looks like a crystal eye, set within a cage. Curator: Chadwick's work often explored the interplay between organic and geometric forms. The "eye" motif recurs throughout his oeuvre, symbolizing perception and interiority. Editor: And the metal framework – is it meant to protect or imprison? It raises questions about the societal gaze and individual freedom in the post-war era, doesn't it? Curator: Precisely! The bars suggest a structure – of society, perhaps – shaping inner vision. The eye seems to struggle for clarity within that structure. Editor: Chadwick’s piece serves as a potent reminder of the enduring tension between the individual and collective experience. Curator: Indeed. A fascinating look into the relationship between the outer world and the inner self, and the symbolic power of the eye.
http://www.tate.org.uk/art/artworks/chadwick-inner-eye-maquette-iii-t01226
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Chadwick made a series of works like this on different scales; the largest is 90 inches (228 cm) high. It stands a little like a human figure or an animal but resists any direct association with a particular living creature. It is brilliantly ambiguous in its suggestive forms: the iron rods could be seen as ribs or as some sort of cage. The chunk of glass gives it a mystical or ritualistic feel, while its title suggests a psychological dimension. Gallery label, September 2004