Actor Kawarazaki Kunitarō I, from the series Portraits as True Likenesses in the Moonlight (Makoto no tsuki hana no sugata-e) c. 20th century

Editor: Here we have Utagawa Yoshiiku's "Actor Kawarazaki Kunitarō I," from the series "Portraits as True Likenesses in the Moonlight." It's a woodblock print on paper, and I’m struck by the stark silhouette against the more detailed portrait. What is your take on this, given the socio-political context? Curator: The silhouette is a powerful statement. Consider the late Edo period's censorship of Kabuki actors. Representing Kawarazaki as a shadow challenges these restrictions. The vibrant portrait acts as a form of resistance, celebrating his persona under the guise of tradition. Does that change your initial perception? Editor: Absolutely, the contrasting elements can be interpreted as a form of subtle defiance, highlighting the tension between public image and imposed constraints. Curator: Precisely. It makes us think about the role of art in navigating political landscapes and the artist's agency in shaping public perception. Editor: I never thought about it that way. Thanks for the insight.