Salomo's rechtspraak 1582 - 1613

Pieter van der Borcht the Elder created this engraving, "Salomo's rechtspraak," depicting the Judgment of Solomon. It visualizes a biblical story which explores themes of motherhood, truth, and justice. Borcht was working during a time of religious and political upheaval in the Netherlands. His images often engage with contemporary moral and ethical dilemmas, and here he turns to a well known story to explore these issues. In the story, two women appear before King Solomon, each claiming to be the mother of the same child. Solomon famously resolves the dispute by suggesting the baby be cut in two, so each woman can have half. The true mother, unable to bear the thought of her child being killed, immediately relinquishes her claim. Solomon, recognizing her compassion and willingness to sacrifice, declares her the true mother. Consider how the image encapsulates a moment of intense emotional reckoning. The expressions and gestures of the figures convey a range of emotions, inviting us to reflect on our own understandings of truth, justice, and maternal love. The architecture creates a stage upon which the drama unfolds, drawing attention to the powerful role of the King and the act of judgment. Borcht’s image transforms a deeply personal conflict into a public spectacle.