Tracing from William Morris Hunt's "The Discoverer" Fresco, Assembly Chamber, State Capitol, Albany, New York c. 19th century

Editor: This is "Tracing from William Morris Hunt's 'The Discoverer' Fresco" by William Rimmer. It's a pencil drawing, and feels... ghostly. What can you tell me about its context? Curator: This tracing highlights a fascinating, yet tragic, intersection of art and public life. Hunt's fresco, intended to celebrate American progress within the New York State Capitol, deteriorated rapidly. Rimmer's tracing serves as documentation, a record of something lost. How does knowing this affect your perception? Editor: It makes me think about art's fragility, and how cultural memory is constructed. The drawing now feels more like an artifact. Curator: Precisely. This work then becomes a commentary on the impermanence of grand narratives and the evolving role of art institutions in preserving those narratives. Editor: I never considered the politics of tracing! I'll definitely look at other works with a new perspective.