St. Bernhard Degli Uberti, Generalabt Der Vallombrosaner, Bischof Von Parma 

Luca di Tommè painted “St. Bernhard Degli Uberti” in the Sienese Trecento style, a period marked by humanist philosophy, social realism, and the rise of the merchant class. Consider the church's powerful sway during this era. Here, St. Bernhard, holding a book and staff, is adorned in elaborate vestments and a jeweled mitre, visual cues of the stature and privilege afforded to religious figures. His calm, almost mournful expression offers a counterpoint, perhaps hinting at the personal sacrifices demanded by such a role. The piece perpetuates a traditional, hierarchical representation of religious authority. Yet, the subtle humanization of St. Bernhard invites contemplation on the emotional complexities inherent in his identity. This image prompts us to reflect on the intertwined nature of personal experience and institutional power. How might the weight of societal expectations shape our understanding of self and duty?