Maria met Christus en Johannes de Doper by Jean Nicolas Laugier

Maria met Christus en Johannes de Doper 1836 - 1867

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print, engraving

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portrait

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neoclacissism

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print

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landscape

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figuration

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history-painting

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academic-art

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engraving

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miniature

Dimensions: height 751 mm, width 531 mm

Copyright: Rijks Museum: Open Domain

Editor: We’re looking at a print titled “Maria met Christus en Johannes de Doper” by Jean Nicolas Laugier, dating from the mid-19th century. It features Mary, Christ, and John the Baptist in a garden setting. I’m immediately struck by its serene and idealized depiction, the halos adding to the figures' sense of divinity. What symbols stand out to you in this image? Curator: The most prominent symbol is undoubtedly the garden itself. "La Belle Jardiniere", as it's titled, roots the divine figures in a natural, almost earthly, space. Think about what a garden represents: growth, nurturing, but also Eden, loss, and redemption in Christian theology. Notice how the artist carefully renders the landscape in the background, subtly hinting at a world beyond this enclosed, sacred space. It seems Laugier wants us to reflect on how the holy inhabits our world. What feelings do these elements evoke for you? Editor: I feel a sense of peacefulness, maybe even nostalgia? It reminds me of Renaissance paintings with a similar theme. Curator: Precisely. This engraving evokes a kind of cultural memory through its Neoclassical style. It deliberately hearkens back to a perceived Golden Age of artistic achievement. The figures, rendered in smooth lines, reference classical sculptures. Think about what evoking that era accomplishes – it reinforces notions of order, beauty, and spiritual harmony that resonate with audiences across generations. What about the figures themselves? How do they contribute to this symbolic language? Editor: The halos immediately identify them, but beyond that, Mary's calm expression and gentle posture give her an aura of grace and maternal love, qualities central to her image throughout centuries. Curator: Exactly. And consider John the Baptist offering the cross to the Christ child - this imagery foreshadows Christ's ultimate sacrifice, yet does so in a peaceful scene that blends love and sacrifice. Seeing how Laugier employs these visual motifs gives the work depth. I never considered the theme of "sacrifice" in a natural surrounding like that. Thanks. Editor: That's true. Seeing how Laugier brings nature, love and sacrifice all in one place made me think differently about this scene.

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