Crayfish and two shrimps 1845

This print, Crayfish and two shrimps, was made by Utagawa Hiroshige, using woodblock printing, a quintessential technique of the Edo period. It’s a relatively democratic medium, which allowed for the wide distribution of imagery. The process begins with a drawing, which is then carefully transferred onto a block of wood, usually cherry. The areas that are not part of the image are then carved away, leaving a raised surface that will receive the ink. The block is then inked and printed onto paper, with different blocks used for each color. Hiroshige skillfully uses the woodblock technique to render the textures and forms of the crayfish and shrimps, from the spiky shell of the crayfish to the delicate antennae of the shrimps. The varying tones are achieved through the layering of different colors, and the use of subtle gradations of ink. The print's success is a result of the labor-intensive process and the division of labor between the artist, block carver, and printer. This reflects the economic structure of the time. By appreciating the materials, processes, and social context, we understand the cultural value, challenging traditional distinctions between fine art and craft.