Plaque with Bacchanalian Figure by Wedgwood Manufactory

Plaque with Bacchanalian Figure 1769 - 1780

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relief, ceramic, sculpture, ivory

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neoclacissism

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relief

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landscape

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ceramic

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classical-realism

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sculpture

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decorative-art

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nude

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ivory

Dimensions: Overall: 16.2 × 11.9 cm (6 3/8 × 4 11/16 in.)

Copyright: Public Domain

Curator: This is a ceramic plaque, "Plaque with Bacchanalian Figure," crafted by the Wedgwood Manufactory between 1769 and 1780. You'll find it here at the Art Institute of Chicago. Editor: First impressions? Ethereal! It feels light and celebratory, a pastel dream of antiquity, I bet it would be cool on your neck as part of your outfit to a special gathering, don't you think? Curator: That's a rather unique angle! The piece certainly exudes neoclassical sensibilities. Wedgwood was known for adapting classical themes for a contemporary audience. Note the serene figure, likely a Maenad, one of Bacchus’s female followers, rendered in delicate relief. The choice of material—ceramic emulating ivory—contributes to the artwork’s refined aesthetic, its Neoclassical values but also of elevated industrial English production. Editor: I see what you mean about refinement. It’s very deliberate, poised almost. It’s like catching a fleeting moment of joy, a ritual. Tell me, does the positioning of the figure have a connection to any symbolism in Neoclassical artwork, I'm sure this positioning would create an effect. Curator: Definitely. The raised cup is a clear allusion to ritualistic toasts of the Dionysian cult, maybe more directly tied to English society rituals. Then there's the contrapposto stance, echoing ancient sculptures, also a nude. Everything suggests a revival of classical ideals: harmony, balance, an elevated status for ancient Greco-Roman motifs, but with a touch of 18th century elegance, no doubts. Editor: I agree with you. And, well, let's just say it triggers the impulse to grab a glass of bubbly. You've successfully dissected this into its historical and technical layers. I wonder, do you think an audience member could perhaps simply see the simple invitation this lady's gesture presents: cheer up, smile, let the sun warm your face! Curator: The beauty of art, isn't it? Its endless invitation, but I think this piece asks not to reflect in excess like a Bacchanalia. More a moderate dosage of that sunny bliss as an invitation to appreciate. It certainly made my analysis of the artwork more sunny-toned today. Editor: Agreed. It seems my initial feeling wasn't so out of tune! Cheers to that.

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