Belgian Border, Bill of Disorder (Frontiere de Belgique. Billet a Desordre) 1871

This is Felicien Rops’ etching titled Belgian Border, Bill of Disorder, made in the late 19th century. Rops was a Belgian artist known for his provocative and often satirical depictions of modern life. Rops situates this work within the socio-political landscape of his time, marked by increasing industrialization, class divisions, and debates about national identity. Here Rops conjures the border as a site of chaos and disorder, challenging idealized notions of national unity. The etching is populated by grotesque figures and symbols, playing cards, and what seems to be the dismembered figure of a woman. I see Rops grappling with themes of power, sexuality, and moral decay. He presents a deeply cynical view of Belgian society, questioning its values and institutions. Through its subversive imagery, the etching invites us to confront uncomfortable truths about society. It is a reflection of the unease and disillusionment felt by many during a period of rapid social change.