Two Courtesans; verso: Nude Study 1790 - 1792

Editor: Right, let’s talk about this intriguing sketch, "Two Courtesans," by Henry Fuseli. It’s a delicate drawing, seems to be on paper. The figures have this almost ethereal quality, floating on the page. What is your take? Curator: Ethereal is the perfect word! It's Fuseli being Fuseli – dramatic, theatrical, and a touch… otherworldly. For me, it's a glimpse into the artist's mind, where classical ideals meet gothic sensibilities. Do you see the almost exaggerated elegance in their posture? Editor: Yes, their stances seem almost performative, like they are on a stage. Curator: Exactly! Fuseli was obsessed with theatre. He saw the world as a stage and his figures always seem to be caught in a moment of intense drama. A little like life, don’t you think? Editor: I do. It gives me a lot to reflect on. Thanks for your insight. Curator: My pleasure. It's always fascinating to see how an artist's passions shape their work.