Creation of the World X by Mikalojus Konstantinas Ciurlionis

Creation of the World X 1906

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painting, oil-paint

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allegories

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organic

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abstract painting

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symbol

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painting

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oil-paint

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landscape

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impressionist landscape

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oil painting

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neo expressionist

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expressionism

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symbolism

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expressionist

Dimensions: 36.5 x 30.3 cm

Copyright: Public domain

Curator: Let's turn our attention to "Creation of the World X," painted in 1906 by Mikalojus Konstantinas Ciurlionis. Editor: Immediately, I’m struck by its ethereal, almost dreamlike quality. The colors are muted yet vibrant, and the composition feels very fluid and dynamic, despite the ambiguity of what is actually being depicted. Curator: Ciurlionis was deeply invested in symbolism and expressionism. Note the deliberate brushstrokes, the layering of paint. He uses these elements not to represent reality directly, but to evoke a feeling, a state of being. Look at how forms emerge and dissolve; there is this organic unfolding happening. Editor: Absolutely. Thinking about Ciurlionis’s own socio-political context – Lithuania at the start of the 20th century was under Russian rule, facing pressures to erase their cultural identity – I think of this painting in a different light. To me, the organic and spiritual themes become like symbols of resistance and cultural re-emergence. Is the artist implying creation through resistance? Curator: That's a valid reading. Although his personal struggle with mental health and social isolation cannot be discounted when studying his paintings. Ciurlionis blends visual art and music together. Observe the painting's composition – see how it echoes musical forms? Editor: It's true, there's definitely a sense of rhythm. Maybe it mirrors the artist's journey through oppression into personal creation. The symbols scattered in the painting--are those the mushrooms or sprouting seeds? They act almost as an invocation of potential. Curator: I appreciate that you call attention to their almost talismanic potential; perhaps that reflects a wider spiritual perspective. What are your lingering impressions of the work? Editor: I am thinking how its fluid composition challenges our notions of power and origin. Ciurlionis invites us to participate in continuous processes, to create rather than claim singular meanings or cultural legacies. Curator: Yes, precisely, to create from a position of personal meaning, as a creative or emotional process. It's this visual and emotional richness that remains with me.

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