print, graphite
portrait
cubism
form
geometric
abstraction
line
graphite
modernism
Dimensions: height 234 mm, width 168 mm
Copyright: Rijks Museum: Open Domain
Lilly Samuel created this reproduction of a Paul Klee painting using materials and techniques we can only imagine, as the metadata lacks such specifics. Immediately, one notices the work’s division into distinct zones, demarcated by tonal variations. This monochromatic palette enhances the geometric abstraction. The composition employs a juxtaposition of hard-edged shapes with softer, more organic forms within the central oval. The strategic use of line and hatching generates a sense of depth and texture, inviting close inspection. These formal choices push against conventional representational modes. Samuel engages with the legacy of Klee by reinterpreting his visual language through the lens of abstraction and geometric clarity. The work functions on a semiotic level, presenting a codified system where shapes and forms serve as signs, open to interpretation. The semiotic complexity encourages us to question fixed meanings and consider new ways of perceiving reality through abstracted forms.
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