Pomona Surprised by Vertumnus and Other Suitors, from The Story of Vertumnus and Pomona 1535 - 1540

Editor: Here we have "Pomona Surprised by Vertumnus and Other Suitors" woven between 1535 and 1540, from The Story of Vertumnus and Pomona, by Bernard van Orley. It's a tapestry, made of wool, and its sheer size is what grabs me. It completely dominates the wall. I'm struck by how incredibly detailed it is. What draws your eye when you look at this piece? Curator: Considering this tapestry, it's impossible to ignore the immense labor involved in its production. Think of the skilled weavers meticulously interlacing the threads, translating Orley’s design into textile form. These tapestries served as status symbols for the elite, reflecting not only wealth, but control over resources and labor. How does the materiality influence our understanding of its narrative? Editor: That's a good question. I hadn’t really considered that this was also about control. Is there anything about the techniques that elevate this above the level of mere decoration? Curator: Absolutely. The act of weaving transforms the story. The very deliberate, slow, and material process counters the quickness of other mediums like painting or drawing. It's not just replicating a scene; it's a statement about value and time invested, wouldn't you agree? What's really fascinating is how tapestry blurred the lines between art and craft, especially then, given its connection to the domestic sphere, challenging the very definition of 'art'. The materials and labor tell a complex story. Editor: That’s fascinating; I always thought about the artistry and skill but not so much the blurring of boundaries. Thanks! Curator: My pleasure. This deep dive into materials really changes my whole idea about it!